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Paul Sakamoto - Part 2 of 4

Interviewer: Connie Young Yu, Mike Honda, Vickie Taketa
Interviewee: Paul Sakamoto (1934 - 2023)

Transcript of Paul Sakamoto

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Timeframe 0:00 >> 5:12

Bob Martin was dean of students at San Jose State and was hired to fill the position that vacated by Sammy Bens. And he was from Middlebury College in the East. And he was like a breath of fresh air in the administration at San Jose State. He was young and single and spent a lot of time with the students in the student activities. He believed that school administrator can associate with students at a different level than currently accepted. So we spent a lot of time together because we had similar interests in the school he, and encouraged me to pursue the doctorate program also. Eventually we became like colleagues, friends. And he proved to me that you can associate with students on a different level than past accepted practices.

Don Leu was dean of the School of Education and a prestigious researcher in school administration. He had a very fine reputation in the state of Michigan and was recruited to come to San Jose and to remodel the department to become a more research-oriented school. And he also saw the need for greater participation by minority groups in the school and the graduate school, particularly in looking at the data about the number of Asian Americans and Blacks and Mexican Americans, graduate students in the in the graduate program. He was responsible for getting a grant... to get more students in the program. He didn't have a narrow view of what the academic should be. And he spent a lot of time talking about the need for multicultural education in the graduate program. And he single handedly got the grants from local industry to select two Mexican American graduate students, one Black, and one Asian, to start the program. Because the difficulty at that time was that that you had to take time off from your present job to earn enough money to go to graduate school full time. It was too expensive. Most people couldn't, couldn't take that time off. And yet he was able to get enough funding to help these students. And so I was able to move to Lansing, Michigan, and spend my two, three years there as a graduate student. Otherwise, I couldn't afford to do that.

Joy & Cultural Resistence Timeframe 5:12 >> 11:07

(Interviewer) Paul, do you remember who the other students were who went with you?

Yeah. One was Bob White at Santa Clara Unified School District, and two from the State Department of Education, who were Mexican American, and one was Black from... I think... I forgot what school district he was from. And myself.

(Interviewer) And you would consider both these individual mentors?

Yes.

Oh, I guess that I was always interested in botany and horticulture, and it seemed to be natural with the culture of our... of our family. My mother... I guess, was the person who influenced me the most in terms of horticulture. I remember she would take a, whenever we would take a walk, she would take a potato with us. And when she saw a plant that she wanted, she would pick it up, make cutting, and stick it in the potato to keep it alive while we walked around. And she would put it in the sand and the soil and start a plant. And so it was amazing that they had-- she had that ability. And and I think that sparked my interest in botany or horticulture, actually. I, I felt that I had, um, I knew I had the interest. I'm not sure I had the skills to become an artist because it... it's such a field that is difficult to define. I felt that not only did I have the interest that I had the ability to be an artist, but I didn't. I also knew quite a few artists that weren't, that were very good, but didn't quite make it because it's such a difficult field. And I think that probably in the long run I made the right decision.

(Interviewer) Paul, what part of art did you do? What medium of art? What area of of the arts did you do?

Drawing

(Interviewer) Do you have any of your drawings from back then?

Oh, no, not from back there. I have quite a few in my collection, but not way back in high school.

(Interviewer) Anything in particular? Portraits, landscape, plants.

Landscape primarily.

(Interviewer) So you mentioned about your parents and how they felt about your going into art as a career, could you talk about that?

They were influenced by the general culture of our society that among Asians you had to major in mathematics, engineering, something solid, and something that took some intelligence. Well, I like to think it's discipline, but I think that people judge it by intelligence, that you were born with it.

(Interviewer) Was it, based upon like you said, you can't make a living off it. Is it based upon survival?

Based upon, upon success of those who were in the field that most of the graduate students were majoring in engineering and mathematics because that's where they were able to just succeed and participate.

(Interviewer) Paul, did anyone in your family, any of your siblings, your parents, practice the arts in any way at home or... at school?

No, no. I was I suspect that the ones that did go to college would have majored in some form of mathematics. It's part of it is the that there is reinforcement from the general environment for that. And as I said, I think that even exists today that art is... not considered what do they say, productive. That it doesn't hold a position in society of accomplishment, of contributing to the culture. And it's rare that some artists is recognized for their contribution compared to technical fields of engineering or electronics.

Transformation & Change Timeframe 11:07 >> 15:57

(Interviewer) The best thing is to ask you, do you feel that you've accomplished all the things that that you want to do and use your talents to the fullest in your career?

No, I don't think you ever feel that. I think that sometimes I feel that I should have done more, particularly in the form of leadership in education that I had an opportunity to do some more than I did. But because I was afraid of failure, I didn't even try, because I thought that it would bring negatives, negativity to be unsuccessful at something that I wanted to try. I'm happy with what I did, but I could have done more and brought more, more honor to the people that I serve. Well, I wanted to try to change the system so that all students would have an equal chance at success and to have the courage to get those who are not... didn't have at heart the, the... the needs of students. It's very difficult to... to talk about change and not make those changes yourself in the system that you lead. And I felt that there were, there were difficulties that I had, it would be that I didn't. I didn't spend enough time to... to, change those elements that didn't contribute to the success of the students. That I let them go and felt that the system had protected them to such a degree that I had little choice. And had I more courage, I probably would have spend more time trying to either eliminate those factors from the system or to try to change them by having more having more in-service. That's always a problem in public education. When I started teaching, I didn't intend to become principal of the school. Yeah, I, I taught science full time and I enjoyed it. And I must confess. I had a reputation of being a hard ass teacher who demanded a great deal of students. And I think that that was recognized, and asked to be promoted. If I was interested in being promoted, yeah. And I, I did that. I felt that I made a contribution and that job also, other than in addition to teaching.

Timeframe 15:57 >> 19:45

Bob Martin and I worked together on quite a few projects, and one of the ones that I remember the most was his, his drive, to make sure that all students at San Jose State had the same opportunities in all fields, not only in the academic field, but in the social area also. So he was concerned about what impact that college fraternities and sororities were having on the student body, because that was the only social outlet for students. And yet, and he was a Greek himself when he was a student. Yeah. And so he saw the prejudices that was the Greek system and was very interested in seeing some change, which is very difficult because at San Jose State, at that time, there were no people of color in those organizations, because they had clauses that said the non-whites cannot become members. And and that was true of all of the sororities and fraternities, they were national organizations. So it wasn't just a local chapter that had this clause, but it was the national organization you had to change. And he, even as a Greek, threw his authority behind the, the move to try to get San Jose State to make that change. Fortunately, in San Jose there is a chapter of Delta Upsilon which had which was a non secret organization.

And at that time the fraternities had secret handshakes and secret, everything secret. And it was difficult to penetrate even for some whites, because they had the blackball system for the candidate, and the fraternity had to agreed to award a membership to this group. So it was very exclusive. And on top of that, there were no people of color, even though the fraternity didn't have a clause, there was a gentlemen's agreement that you couldn't become a member unless you were white. And that was not too long ago. Yeah. In fact he, as I said, he was a Greek himself, he was a student and he changed his position, not position, but his mind. When we were together he'd talk about what a mistake that was and what we could do to make that change. And that change was made for the first time in 200 year history at San Jose State.

(Interviewer) Were you, were you not an example of that change?

I was that change.

(Interviewer) Yeah. You were the change. Yeah.

I became a member of Delta Upsilon three months before I graduated in 1955.

Transformation & Change Timeframe 19:45 >> 23:09

I felt that if I accepted a higher position and failed, that would be so difficult on the minority group, as general, that I'm not sure that I wanted to take that risk. Whereas if I... if I had the job and I knew I could do it, I would feel more comfortable. As in the case of being assistant principal, I knew what the vice principal was like. That was easy and the same as when I was vice principal. I became principal, and that was easy. But to become a superintendent was a little more difficult because of all the societal groups that were, had an interest in the appointment.

(Interviewer) But you were the first superintendent of schools of Asian American descent on the mainland. You were the first you had the power to achieve that position.

Yes, on the West Coast.

(Interviewer) And did you feel that gave you the confidence and the authority to do something to do a lot?

Well, I'm not sure that I I felt that consciously that that was true. I think that people might read into it, that... but not I'm not sure that I contributed that much to that that movement.

(Interviewer) But did you feel that people resisted? I mean, did you feel opposition? Is that why you felt that you couldn't keep moving ahead?

No, I didn't. I felt that the opportunity that I had was to, I guess, this is somewhat confidential information. But I was offered the position as the superintendent of San Jose Unified School District. And at that time, I was superintendent of Mountain View/Los Altos, which had three high schools and San Jose Unified had 50,000 students compared to Mountain View/Los Altos and just the size was enough to scare anybody, including myself, that... but then on the other hand, I felt that if I were to take that position, it would be a plus for Asian American. That it's possible to, to be appointed to those positions. I served on 17 school district selection committees for those districts.

Timeframe 23:09 >> 29:39

(Interviewer) So Paul, what were you looking for in terms of leadership qualities when you participated, and what was important to you?

Change in particular, and change in the curriculum; be consistent with what the policies of the Board of Trustees was at that time.

(Interviewer) When they asked you about San Jose Unified, did you encourage Pete Mesa to apply also?

To what?

(Interviewer) To apply for the superintendency of San Jose.

Pete Mesa? Yeah. He was probably the brightest man I ever worked with and he was my vice principal and then my deputy superintendent. There's no question that he was outstanding. He was a professional baseball player before he became a teacher.

(Interviewer) You were his mentor?

Yeah.

(Interviewer) Paul, where did your philosophy of inclusion and diversity... When, when did you become aware of that was a part of who you are?

I don't, I don't think it's something that you just all of a sudden happens to you. I think it's the experiences you have as a child growing up and experiencing in the playground what is fair and what is not fair and being able to judge success and failure, happiness and sadness, ability to get along with others, all of those things.

(Interviewer) And your sensibility as a Japanese American, you know, was behind all this?

I think to some degree, yes. I think you can't help but have that happen in terms of being sensitive to the needs of others, to be, being able to weigh what is fair and what is not fair, or what is good and what is bad.

(Interviewer) Did you ever have-- feel any bitterness, or a sense of, you know, you had to make things right with the past, you know, because of your experience with internment and your parents' experience, the whole community's experience. Did you have, okay, there was always this sort of a thorn in your side. Did you feel that?

Not, I would say no. That it was not upfront always in my mind. It was always there or in the background. Of course, you can't help but take US history class and not say that there are this discrimination that exists. And so, you don't have to dig too deeply to see that there are some inequities.

(Interviewer) Did you find yourself, Paul, as you were moving up the ranks in education, and as you were put into positions where you were responsible to make decisions about who, who you were going to hire? Do you ever feel the pressure not to hire a person of color?

No. If anything, just the opposite. Pressure to hire people of color and sometimes who weren't as qualified as another candidate, to be able to select a person based on abilities rather than color. I think that if there were any pressures that it would be from the school board supporting some candidates that they had a particular interest in. Well, changing curriculum is very difficult, particularly with tenured teachers. You, you have to be able to support it with with sufficient funding. And you have to have some reason for changes in the curriculum-- the teacher is the curriculum. They teach what they feel is most important. And that could differ from the district policies passed by the Board of Trustees. But the board has the final say. It's very difficult to work with a board with diverse set of interests. And so the best way is to point out why the changes have to be made in the curriculum and get them to agree to make that change before you present it to the public. But the school board members are political animals, so it takes a lot of individual one on one meeting, and generally if it has some substance to it, it will pass and be supported.

Transformation & Change Timeframe 29:39 >> 35:28

(Interviewer) Paul, how would you define activism?

I would say it's taking a position of fairness... despite the fact that that may not be the most popular position. The big question now is, is how Asians are being treated to this day. And you could imagine, in fact, you see on television, elderly Asians being stomped on and and you say, 'Why?' Why in the world, what causes this hatred and what do you do about it? And there's no answer to the question, 'What do you do about it?' To this day there is not an answer. So why are they picked on elderly Asians to beat up? And what what kind of background does that person have to cause them to do such a thing? I mean, anybody could say that, see that it's wrong. It's grossly wrong. But then what do you do about it and what's causing that to happen in our general society? And so how far have we come? And I think that we have to look at root causes, and it's not a matter of putting money behind more police. That's probably a short term solution. But there's some something in our society that says that people of different... particularly different shades of skin that causes them to be, be the victim. So, so what do you do?

(Interviewer) Do you think do you think the perpetrator of those acts of hate are also victims?

Hm.. I don't have much sympathy for that kind of treatment.

(Interviewer) Yeah, but things didn't start out that way, did they?

I think what it's going to take is a general overhaul of of how we treat one another, of... since kindergarten to through college. It's it's not going to be easy and it's not going to be very shallow. It has to be has to be in-depth so that the more kids are exposed to experiences with one another, that when you see this thing happen on the streets of Chinatown in San Francisco, you think back to where that person went to school and what kinds of opportunities they had, and, and associating with other students of color.

(Interviewer) Do you think schools have a role in making those kinds of changes that are deep and difficult?

It has to.

(Interviewer) How would you see that happening?

I think that one would need to see that the faculty of mixed culture, not only the subject matter, but the teachers that teach it. And, and for students too, to have that opportunity to mix instead of having high achievers go to one school and and low achievers at another school and further segregate students, by ability. You know, when you, when you become active and not only have to work with the majority, but then your own people, your own culture. Will challenge you to such a degree that you wonder whether you can spend enough time and effort to be active in both cultures rather to have your own culture say, 'Well you think you're too good for us? You haven't contributed as you have with the whites and what we're trying to do here.' So it's not that easy.

Timeframe 35:28 >> 38:19

One public appearance I made there was... I talked about supporting Asian candidates, and a member, a young man in the audience said, 'Why should we just support Asian candidates? Why can't we judge them based on ability rather than skin color?' That he was against what I was saying when I said this is made to support other Asian candidates. And, and that feeling exists. The lack of support or, I don't know what it is, you call it cultural jealousy or... but when you run like Mike does, you get exposed to that kind of thinking that they're not going to support another Asian because they don't have a good self-concept to begin with. You know, it was a great experience for us because we had quite a bit of freedom in the district because the district office didn't want anything new. This is the Sunnyvale High School that was for poor, poor minorities. And we want to spend our time with Homestead and Fremont and that whatever Pete [Mesa] and Paul [Sakamoto] do, let them do it, keep them out of our hair and that was the general feeling and the board supported that.

Yeah, there were eight teachers in the art department and that, I mean, no high school would have eight teachers teaching high teaching art. But we had three interns from Stanford, two from San Jose State. Pete was very good at putting things together.

(Interviewer) Were they were were they a diverse group of teachers, Paul?

Yeah.

(Interviewer) So a lot of the kids, a lot of the bright kids took art. Cuz they found refuge there. And I think they found–

All kids, different kids too, because the juvenile probation people would come in and say, 'Where's so-and-so?' The student they're looking for? Oh, he's in the art department.

Timeframe 38:19 >> end

(Interviewer) So, Paul, you said that you did your internship at a mental health institution or the prison in Michigan.

Oh, I was part of a grant that, that's how I made a living at Michigan. I was, I was full-time researcher in the school of sociology, actually. And I did a study of the interaction between the prison guards and inmates, and they asked me to come up with different suggestions on how that could be improved so that they wouldn't have the the riots and the, the fights with the inmates. So I spent full time visiting Jackson Prison, which is the wall-- the largest wall prison in the world. And they said, I asked them 'What percentage were Black for inmates?' And they said, 'Oh, maybe 30%.' And it was more like 70 to 80%. And the study that I did lasted for over a year. And after it was turned over to the governor, it was shredded. So so that never saw the light of day. So. Well, all my work went into the garbage.

(Interviewer) What percentage of the correctional officers were white or how diverse were they?

About 80% were white. Because it was one of the few jobs they could get because it's out in the middle of nowhere. They built these prisons.

(Interviewer) And so you study those, when you do the studies, don't you have copies for the archives or copies or your own copy?

I had one copy, but the copy that went to the governor at that time was was shredded.

(Interviewer) But you have a copy?

Yeah, I had a copy.

(Interviewer) Is there a possibility to read that?

I know that was too long ago.

(Interviewer) But you have a copy, though, right?

I have a copy. I'm not sure I could dig it up. I'm sure there have been many studies done before between the now and back then.

(Interviewer) But this like anchor it... it's not new, you know, it's.

It was a great opportunity because I had run the prison, and I could go to any department and show my badge and they would allow me to go visit. And the inmates were fascinated by me because I was Asian American. And in Michigan, there ain't very many Asians and and prisons are living on less than that, you know, because most of them are Black. My advisor was the dean of the School of Education called Dr. Featherstone. And he, he saw me lingering around his office once, and he says, 'What's the matter, Paul? You look down.' I said, 'I'm running out of money, all right? I can't support myself and the graduate program.' So he said, 'Wait a minute.' And he went into another room and came out and he had a grant study in the prisons of Michigan. And, and with what's a very handsome stipend. And even though I didn't have any training in sociology, he got the grant for me. He was very powerful in the whole faculty structure and... so I was able to spend all my time-- not all my time-- most of my time in Jackson. And I visited every prison in the state of Michigan, gathering information. And I got to know several of the inmates at Jackson pretty well. In fact, they, they hired one of them after he got released. And I got a scholarship for another inmate, even while he was in prison. Yeah. So there were, I didn't, you know, I didn't believe that they were all victims of society. But there are ones that somehow got lost, you know, and could be saved. But there are ones that somehow got lost, you know, and could be saved.

(Interviewer) Paul, do you think it's that background in your interest in that study that got you appointed to the Santa Clara County Justice Commission?

I don't think so.

(Interviewer) Because you, you served.

Yeah, I didn't I don't think people even knew I went to Michigan.